Classic Sci-Fi Book Cover

I went into my favorite used bookstore recently, and I was shocked to find only a handful of Michael Crichton’s old books on hand. When I was a kid, he was ubiquitous. He was guaranteed to have not just an entire shelf dedicated to his work, but often an entire case

I mean, dozens of movies have been made out of his books, and that’s before I even need to mention his two most enduring franchises: Jurassic Park and Westworld. The guy was clearly a genius.

My early introduction to Crichton was when I was twelve and I read his first big hit, The Andromeda Strain. I would argue that this one book created the entire techno-thriller genre more than a decade before Tom Clancy took over the pop-novel world. The Andromeda Strain is packed with all things nerd: aliens (in the form of a lethal micro-organism that turns human blood to sludge and eats radiation for breakfast), lasers, supercomputers, a high-tech underground lab, and a nuclear bomb set to blow up in T-minus-Holy-Shit minutes. 

The copy I read was an early edition with a cover by Paul Bacon. The cover depicts what appears to be the outline of a petri dish containing two colonies of microscopic life, but with all the shapes described by computer-generated digits. To top it all off, the image is superimposed over an image of planet Earth, looking very small and vulnerable as the Andromeda strain begins to literally invade it.

A simple design, but one that perfectly evokes the book’s theme of technology-plus-biology-equals-disaster. (The organism, as is revealed in the plot, was harvested by a top-secret military program to find extraterrestrial extremophiles for bio-warfare.) 

You can read a great tribute to Paul Bacon here.

Classic Sci-Fi Book Cover

The only time I ever got in trouble with my parents over a book was when I was thirteen. The book was Nova by Samuel R. Delany, and was reading while nested in the back of the family car on a long trip. My stepmom read the back-jacket copy, which made the book sound a lot racier than it really was, and freaked out. However, she was (and is) a great reader herself, and she and my dad knew better than to try to keep me from reading the book. (You can’t keep kids from reading what they want, not even back then, in the pre-Internet days.) 

So, yeah, I read the book, and I loved it. And not for the prurient reasons my parents might have expected. Rather, Nova is classic Delany—literary science fiction that somehow feels gritty and realistic despite being set in a far future environment. I had never read Delany before, and I was blown away by his ability to write a “hard” sci-fi novel, full of fresh ideas and plausible technologies, that also kept my interest as a work of fiction. That is, it’s about believable characters with believable agendas and distinct personalities. It felt more like Stephen Crane than Isaac Asimov.

I probably picked up the book because I was drawn to the great cover art, one of a fine series of Delany works that Ballantine published in the 1970s. Its cover, which is still my favorite of any Delany novel, was done by fan-artist-turned-pro Eddie Jones. It might seem dated, but for me it still captures the surreal, distant-future vibe that Delany managed to bring to his best books. 

I still have it on my bookshelf, lo these many years later…   

Classic Sci-Fi Book Cover

I could write a whole post on the various covers of Ray Bradbury’s classic novel Fahrenheit 451 that have come out over the years, as other people already have. My favorite is this one from the 1970s (the time of my childhood). It’s by a great illustrator named Barron Storey.

I like it because it shows the main character, Montag, immersed in a kind of hell, which is a great metaphor for the authoritarian dystopia that he finds himself in. Also, Montag looks kind of like a bad-ass.