Category: Friday Night Rock-Out

Friday Night Rock-Out: “Plush”

Stone Temple Pilots was one of the best—perhaps the best—band to come along in the second generation of Grunge. They were also the most metal, thanks to brilliant guitar work of lead guitarist Dean DeLeo. But it was really the vocal work of lead singer Scott Weiland that made the band great. Otherworldly. Exhilarating, yet chilling, all at the same time.

My favorite STP song is this one, “Plush”, which has one of the most remarkable tempo changes in the history of rock. It never fails to make the hairs stand up on the back of my neck. 

And Weiland’s enormously powerful singing was, as was typical of grunge music in general, completely raw. Naked. Unguarded. This was one reason that, when I heard of his death by drug overdose in 2009, I was saddened but not really surprised. Like Kurt Cobain and Chris Cornell and so many other artists, he seemed to feel things too intensely to handle this crazy thing we call Life on Earth.

Or maybe that’s B.S. Maybe he just had an addiction and couldn’t get the right help for it. I don’t know.

Anyway, rock on…

Friday Night Rock-Out: “Iron Man”

This is one is kind of a no-brainer, given the recent passing of Ozzy Osbourne. I rediscovered this song through my son, Connor, who heard it at the end of 2008’s Iron Man with Robert Downey, Jr. The song plays over the closing credits, and it’s the perfect end to a perfect movie.

It’s also, arguably, the greatest, most archetypal heavy metal song of all time.

Godspeed, Mr. Osbourne…!

Rock on…!

Friday Night Rock-Out: “Feed the Tree”

The early 1990s were an amazing time to be alive. The Cold War was over, the internet was changing the world, and the economy was booming. And the music! Grunge was pumping new life into the American and British rock scenes, resulting in an alt-rock renaissance. I’ve already written about many of the great bands of this era, but there were a lot of great smaller ones, too.

One of my favorites was Belly, which was the creation of a young genius named Tanya Donelly. In 1991, Donelly was already an established rock artist, having co-founded the band Throwing Muses with her sister when they were both still in high school. (She had also formed another great band called The Breeders.) Donelly’s influence was all over the college-rock radio stations in that era, and Belly’s first album, Star, was one of my first purchases after grad-school when I finally got a real job (and, shortly thereafter, a real stereo).

The biggest hit on Star was this little gem, “Feed the Tree.” I like it because it’s slightly atonal, off-kilter, and yet very beautiful. More importantly, it overflows with the two emotions that are essential to any good rock song: desire and anger. 

It’s too bad we don’t have a good, portmanteau word for this combination, kind of the opposite of lovingkindness, because I think it is the essence of rock-and-roll. But I digress… 

Rock on…

Friday Night Rock-Out: “Alex Chilton”

If you had a clever and edgy punk/garage band back in the 1980s, and if that band got picked up by indie college radio stations, you were likely to get slapped with the label of “college rock.” Many great bands suffered this fate. Some, like R.E.M. and the B-52s, were able to grow beyond it. Others, like The Replacements, never really did.

I knew a girl who was so into The Replacements that she would only refer to them by the insider-fan name, “The Placemats.” She had great taste in music (and probably still does). I thank her, belatedly, for introducing me to one of their best songs, “Alec Chilton” (entitled, obviously, after another great indie rocker).

Rock on…

Friday Night Rock-Out – “Verb: That’s What’s Happening”

I thought I would use this Fourth of July 2025 installment of my Friday Night Rock-Out series to celebrate one of the greatest triumphs of enlightened American capitalism: Schoolhouse Rock! The brainchild of ABC executive David McCall, the series ran on Saturday mornings during cartoon-time and was seen, enjoyed, and effortlessly memorized by millions of America kids, myself included. Even kids today will be somewhat familiar with the series—mainly because their Baby-Boomer and Gen-X parents made them watch it on DVD!

My favorite episode is Verb: That’s What Happening, which was performed with great soul by Zachary Sanders, along with a little help from The Pointer Sisters (allegedly). After fifty-odd years, it still hits.

Rock on….

Friday Night Rock-Out: “Never Say Never”

Let’s face it. New Wave music has a bad rap. It’s associated with bad 1980s movies and “Old Wave” nostalgia night at your local dance club. 

Having grown up in the era of both punk music and New Wave, I can say with some authority that New Wave music, at its best, was every bit as powerful—and a lot more meaningful—than punk. In fact, New Wave gave us some of the best music of the 20th Century. The Talking Heads. Blondie. Gary Numan. And on and on.

One of my favorite songs of the era is this little number by Romeo Void. You might remember it from an obscure (but not bad) 1980s movie called Reckless starring Aiden Quinn and Daryll Hannah, who dance to the song in one surprisingly effective scene.

I like the song because it’s like a mash-up of The Sex Pistols and a San Francisco poetry-slam. It hits.

Rock on…

BONUS: Here is that scene from Reckless…

Friday Night Rock-Out: “Listen to Her Heart”

Of the hundreds of kids who graduate from Gainesville High School every year, relatively few (I’m guessing) are aware that they attended the same school as the late, great Tom Petty. (My son Connor definitely was aware because I was constantly reminding him of it, to his annoyance. LOL.) Petty is still Gainesville’s most famous native son, and with good reason. He was one of the greatest rock musicians of his generation. In fact, I think of him as America’s version of David Bowie—brilliant, inventive, always changing and yet always the same.

(Fun fact: one of Gainesville’s other famous sons, Don Felder, taught Petty how to play piano, or guitar, depending on who you ask.)

My favorites of Petty’s songs are the early classics like this one, “Listen to her Heart.” If you’ve ever feared losing a lover to a rival with a lot of money and cocaine (and who hasn’t?), this song is for you.

Rock on…

Friday Night Rock-Out: “Trouble”

Forget Van Halen. Forget Hendrix. Forget Clapton. Lindsey Buckingham is the greatest guitarist in the history of rock music. Don’t believe me? Listen to this song, “Trouble,” from his 1981 solo album Law and Order. If it doesn’t transport you to another plane of existence—yes, forgive the cliche; to an actual soundscape—then you need to get your ears checked.

Buckingham was, of course, the driving force behind Fleetwood Mac’s second incarnation, when they produced one of the greatest rock LPs of all time, Rumours. (When he joined the band, he insisted they also hire his girlfriend, Stevie Nicks, who also had a bit to do with the group’s ultimate success.) As band leader Mick Fleetwood saw at the time, Buckingham is not just an incredible guitarist, he is also a phenomenally talented song-writer, multi-instrumentalist, and singer.

Getting back to his guitar playing, though, let me add that Buckingham uses an usual finger-picking technique—more like a banjo-player—which he employs in a variety of styles and with amazing creativity. That creativity is on full display here. 

Rock on…

Friday Night Rock-Out: “Eighties”

If you’ve ever gone to a dance club on “Old-Wave Night” when they play the greatest alterna-hits of the late 1970s and 80s, you’ve almost certainly heard this song. I, of course, am old enough to have heard it on its original run, when it still had complete cultural currency. (Personally, I think it still does.)

Killing Joke was not only one of the wittiest and most subversive bands of the era, they were one of the most talented. And hard-hitting. You know you’ve done something right when later classic bands such as Metallica, Soundgarden, Nine Inch Nails, and Nirvana site you as an influence. In fact, Kurt Cobain liked Geordie Walker’s guitar playing so much that he borrowed from it heavily on Nirvana’s great hit, “Come as You Are.” As one of the song’s producers explained, 

…we couldn’t decide between ‘Come as You Are’ and ‘In Bloom.’ Kurt [Cobain] was nervous about ‘Come as You Are’ because it was too similar to a Killing Joke song but we all thought it was still the better song to go with. And, he was right, Killing Joke later did complain about it.

They say imitation is the highest form of flattery, right?

Rock on…

Friday Night Rock-Out: “Oscar Wilde”

Indie rock is famously difficult to define but I know it when I hear it. It’s got something to do with the DIY quality of the music, and the pared down nature of the arrangements.

My favorite Indie band of the last twenty years is Company of Thieves. I first heard them on Daryl Hall’s wonderful YouTube show Live from Daryl’s House, and I was struck by the power and passion of Genevieve Schatz’s singing, as well as Marc Walloch’s impressive guitar chops. They reminded me a bit of The Pixies and some other great bands that I used to listen to in college. 

Rock on…

BONUS: Here is Company of Thieves’ cover of The Zombies’ Time of the Season on Live from Daryl’s House…