Ever since the first publicly available AI SaaS offerings (that’s Software-as-a-Service for all you non-geeks) like ChatGTP hit the market, the media ecosystem has been in love with the subject of AI as a major disruptive force. Disruptive, that is, in the creative industries hitherto regarded as safe from any kind of automation: illustration, film-making, acting, and writing. Story after story has run about how AI-generated art, screenplays, journalistic articles, etc. might soon replace the work of human content creators.
Within this maelstrom, a smaller, subset of articles has begun circulating related to whether AI will ever achieve consciousness. (Some experts believe it already has.) And, within this subset, there is a sub-subset devoted to what I call AI alarmism. That is, the idea that AI, if left to its own devices, might soon overthrow—and perhaps even exterminate—humanity itself, ala the “evil AI” tropes of the Terminator films, the Matrix films, the Tron films, et cetera, et cetera.
Such visions of an AI apocalypse are not new. Hal, the murderous supercomputer in Stanley Kubrick’s 2001: A Space Odyssey, is perhaps the most famous example of an AI gone bad. And a cool but largely forgotten movie from the 1970s called Colossus: The Forbin Project lays out exactly how a psychotic AI (in this case, one entrusted with the care and maintenance of the American nuclear arsenal, just like SkyNet) could take over the world by force.
Continue reading “Time for an A.I. Sanity Check”
Ash Clifton, Writer 