
Anyone who follows this blog knows that my two primary obsessions are movies and history. So, you can imagine my excitement whenever I encounter that rare intersection of these two interests: a well-written film history book. And, still further within this category, there is the vaunted production-of-a-classic-movie book, which is a special favorite.
The supreme example of this sub-sub-sub-genre is Mark Harris’s Pictures at a Revolution, which recounts the making of not one film but four, all of which marked the changing nature of Hollywood—and America—at a specific moment in time, 1967. But if Harris’s book is the touchstone of this subject, then Sam Wasson’s The Big Goodbye: Chinatown and the Last Years of Hollywood is a very close second. Put simply, I enjoyed the hell out of it.
Where Harris’s book describes the making of four movies, Wasson’s reveals the making of four men, the principal creators of Chinatown. These were the producer (Robert Evans), the screenwriter (Robert Towne), the director (Roman Polanski), and the star (Jack Nicholson).
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