What I’m Watching: “Dune: Part Two”

Well, I finally watched Dune: Part Two (henceforth known as Dune 2) last night. I’m a big fan of the first film (part 1), and I was very eager to see this one (although not eager enough, apparently, to shell-out for theater tickets; oh, well). 

Dune 2 is, obviously, an amazing film, even when viewed on a TV screen. A lot of people have commented on how much the movie reminds them of Lawrence of Arabia, and it’s true. Why not? Frank Herbert was, himself, influenced by Lawrence when he wrote the book. But as I watched Dune 2, I kept thinking of another classic film, The Godfather. They’re practically the same movie, when you think about it. Duke Leto is the Godfather, the noble monarch of a great and honorable kingdom. Arrakis is New York City, full of violence, corruption, and sadistic evil. Paul is Michael, the exiled prince, who is at first reluctant to take up his old man’s role but later succumbs to the circumstances that surround him, and to his own desire for revenge. Chani is Kay. Gurney is Clemenza. And on and on.

I mean this comparison, of course, as a compliment. Dune 2 is an archetypal film, as is The Godfather. And, like The Godfather, it’s got some electrifying scenes of action, woven inside a theme of how good can survive in an evil universe without becoming evil itself. (Dune 2, like The Godfather, leaves the question unresolved.)

I did have some pretty major complaints about the movie, especially in the way it handles time. Correct me if I’m wrong, but the entire story takes place during Lady Jessica’s pregnancy with the unborn Alia. Right? So, unless babies in the Dune universe take a lot longer to gestate, that’s less than nine months—which makes no logical sense. (In the book, it’s more like four years.) Even more problematic, for me, is the film’s unrelenting depictions of sadism. The Harkonnens—the greatest lovers of BDSM fashion in the galaxy—are always stabbing or crushing or slicing somebody up, usually someone helpless and innocent. Yeah, I get it; evil is the major theme of the movie. But I couldn’t help but think that director Denis Villeneuve (who is, I believe, a genius) takes it just a little…bit…too…far. I mean, we get four or maybe five scenes that are essentially remakes of The Empire Strikes Back with Darth Vader killing some dim-witted subordinate.

Still, it’s a great movie, exciting and fluid and beautifully acted. I’ll watch it again. If you haven’t seen it (which I seriously doubt), check it out…