Tag: The Smiths

Friday Night Rock-Out: “Why Can’t I Be You?”

Everything you need to know about alt-rock in the 1980s can be learned from listening to four bands: The Smiths, Echo & the Bunnymen, Siouxsie and the Banshees, and The Cure. I’ve featured all of these bands except The Cure, so it’s about time, especially considering that they were, in some ways, the most innovative and versatile of the four.

Most people know the song “Just Like Heaven“, and they should because it’s a masterpiece. But I love this song, too, because it’s so strange and powerful. With Robert Smith singing on the edge of his vocal range, his voice breaking and whinging like the embodiment of every teenage neurosis you can think of, “Why Can’t I Be You?” is the ultimate song about Nerd Love.

It’s also a great dance song. (Yes, a danceable goth-rock song. Who knew?) And the horn section is epic. (A goth-rock song with horns? Yes, again!)

Rock on..

Friday Night Rock-Out: “How Soon is Now?”

I recently found myself in the so-called “green room” of a TV studio in Biloxi, Mississippi, waiting to be interviewed about a book-reading I was doing that week. The interview was to air live on a local current events show, and another guest waiting for his spot was a musician for a band called The Molly Ringwalds. He was friendly and very smart, and we began to chat (I did so to relieve my nervousness; he was just being nice). 

In the course of conversation, he explained that The Molly Ringwalds (as I should have guessed, but didn’t) is an 1980s tribute band that covers all kinds of hits from that by-gone era, which I also love. I asked him if they did any songs by The Smiths, and he said they did.

“Which one?” I asked.

“‘How Soon is Now?’ What else?”

What else, indeed. “How Soon is Now?” is not only The Smiths’ greatest song, it’s one of the greatest rock songs ever. It’s also one of the most complicated. From its famous guitar overture, warbling and full of dark menace, to its anguished lyrics by the brilliant Morrisey, “How Soon is Now?” is both a dance song and a dirge. It’s also a cry of rebellion against conformity, prejudice, and alienation.

Since it first hit the clubs in 1985, the song has been taken up as an anthem by the LGBTQ community, and rightly so. But I think it resonates equally well with any introvert, outcast, or general freak who just, well…needs to be loved.  

At least, it did for me. Still does.

Rock on…

Friday Day Night Rock-Out

When I was in college in the 80s, there was only one dance club in town that didn’t play the usual top 40 pop music. It was a little joint called My Friend’s Place, and it wasn’t actually in town, but rather out in the county between Gainesville and Hawthorn. We called it MFP, and every Friday and Saturday night around 10:00 we would make the long drive down Hawthorn Road to where alone sodium lamp marked the entrance. MFP was really just an old warehouse that some enterprising folks had converted into a club, and the dance floor wasn’t much bigger than a squash court. But my friends and I whiled away countless hours doing our best Alt-Rock dance moves, (weight on the heels, shoulders tilted back, smug expression on the face, arms doing the wavy thing down by the waist, etc.; ahhhh, it was great). The Smiths, The Cure, The Violent Femmes, ABC, XTC, Killing Joke, The English Beat and even a little U2 were blended into the mix by the unseen DJ.

It was an important era in my life, and the most iconic song from it was Lips Like Sugar by Echo and the Bunnymen. The Bunnymen were so cool, so slick, so melodic, and so dark that they weren’t just a Great Alt-Rock Band. They were a Great Alt-Rock Band’s Great Alt-Rock Band. I think that Lips like Sugar, along with The Smith’s How Soon is Now, are the two greatest songs of the genre.

Anyway, Happy Friday, and rock on…