action – Ash Clifton, Writer

What Is It Like to be The Terminator?

I can’t believe it’s been 41 years since James Cameron’s The Terminator came out. I first saw it in the movie theater and like everyone else I was completely stunned by its energy and creativity. It might well be the best B-movie action film ever made. (Its sequel, T2, is an A-movie action flick that still feels like a B-movie, in a good way.) Cameron’s spin on what is essentially the ancient hunter-vs.-the-hunted plot—mashed up with about a dozen sci-fi tropes and a heaping serving of the Frankenstein/Dr. Faust myth—results in an almost perfect piece of entertainment. There is not a dull moment or lame moment in it. Every scene either surprises, shocks, or tickles the viewer.

The sequel, T2, is even better, mainly because it’s a coming-of-age film. Rather, it’s a becoming-human film. We watch as the Terminator observes human beings, learns from them, and begins to emulate their best qualities. It’s an archetypal story, and I (almost) tire of watching it. And, in the process of watching the film so many times over the years, I’ve repeatedly asked myself: What is it like to be the Terminator?

What I’m Listening To: “Sorcerer”

One of my favorite films of all time is Michael Mann’s first feature, 1981’s Thief. That movie was not only the beginning of my life-long love of Mann’s movies, but also with the soundscapes of the German band Tangerine Dream, who composed the score.

When I saw the movie, I had never heard of Tangerine Dream, and thus had no idea that they were one of the iconic avant-guarde bands of the 1970s, producing legendary albums like Phaedra and Zeit. All I knew was their music was hypnotic and unbelievably powerful.

In fact, Tangerine Dream was sort of the Hans Zimmer of their day, creating some of truly great soundtracks. One of their other great scores was for William Friedkin’s 1977 suspense film Sorcerer. If you haven’t seen it, you should check it out. Nominally a thriller, it’s about four guys from totally different backgrounds, all hiding in out from the law in South America. When a local oil platform catches fire, the guys are offered a big payday if they will drive two trucks full of leaky nitroglycerin through the mountains to put the fire out. That’s the stated plot of the film. I have a theory, however, that its really about four guys who are in hell and just don’t realize it yet. They all have much to atone for, and each suffers and grows (or fails to grow) in his own way.

The score brilliantly evokes that sense of menace and evil that lies just around the corner. It’s a great piece to listen to when you’re in a dark and somewhat demented state of mind (or if you want to be in one, for whatever reason).

Ten Things I Love About B-Movie Action Flicks

In one of those strange, synchronicity moments that sometimes happen, I recently stumbled upon an article in Collider about how the classic John Carpenter film Escape from New York is getting a new 4K release from Shout Factory. This was a heart-warming bit of information, for me, since the film has been one of my favorites since I saw it in the theaters in 1982. It’s nice to think that new generations of film lovers might be given a chance to appreciate its many charms.

The news was also timely, for me, because I had been contemplating writing a post about the things I love most about movies like Escape from New York. That is, B-Movie Action Flicks. As anyone who reads this blog or my old one will realize, I am somewhat obsessed with B-Movie Action Flicks, especially from their golden age back in the 1970s-80s. Part of my obsession is mere nostalgia, of course. I spent many a late Saturday watching such movies on HBO with my equally nerdy, reprobate friends, and they (the films and the friends) helped me get through the agonies of growing up. But the other part of my obsession has to do with the nature of B-Movie Action Flicks. Why are they so much fun?