“Dracula” Isn’t About What You Think It’s About

I’ve been seeing a lot of on-line ads for the new Nosferatu movie directed by Dave Eggers. It looks like a pretty good movie, although, judging by the trailers, it seems to be emphasizing the horror (e.g., slasher) elements of the classic Nosferatu/Dracula story over the erotic angle (which most film adaptations have veered toward).

Or does it? Looking at the poster, the hook line poster reads “Succumb to the Darkness.” It’s a seductive line, which doesn’t quite seem to go with the image portrayed—that of a beautiful young woman in a nightgown lying on her back with her mouth open, while a skeletal, monstrously taloned hand reaches for her face.

Erotic? Not really. Gross? Yeah, kinda. This thematic confusion between the film’s trailer and its poster reflects, I think, the difficulty in adapting the Dracula story to the screen. (Yes, I know that Nosferatu is not the same as Dracula, but close enough.) The difficulty is made worse in our present time, the 21st Century, when porn is only a few clicks away and the idea of truly transgressive sexual activity is more and more difficult to imagine.

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(Yet Another) Shameless Plug

Hey, it’s been DAYS since I plugged my book, so obviously it’s time for yet another shameless plug! Just in time for Christmas!

Amazon is running a sale on my book, Twice the Trouble. It’s 60% off! In hardcover! It would make a heck of a Christmas gift. I’m just sayin…

What I’m Reading: “I am Spartacus”

I_Am_Spartacus

(Author’s Note: this post originally appeared on my old blog, Bakhtin’s Cigarettes.) I don’t want to jinx the man, but the fact that Kirk Douglas still lives is an unmitigated source of joy for me. If you believe, as I do, that movie stars become movie stars because of some internal life-force, whose aura is palpable even when projected onto a silver screen, then Kirk Douglas seems like the best proof of this theory.

At 101, Douglas is a living bridge to Hollywood’s second Golden Age—the 1940s to late 1950s. A bone fide movie start by 1949, Douglas was, along with other mavericks like Burt Lancaster, one of the first major actors to become a power-player in his own right. In an era when the Hollywood studio system traded actors like cattle, he formed his own studio and made his own films. He fostered young writers and directors—most notably, a brilliant, aloof young filmmaker named Stanley Kubrick.

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Just How Freakin Big is the (Whole) Freakin Universe, for Freak’s Sake?

The Helix Nebula

One of the coolest classes I took at U.F. was Intro To Astronomy, taught by a funny old German guy named Heinrich Eichorn who, I later learned, was Chair of the Astronomy Department. (Yes, this was back in those quaint old days when top-notch professors had to actually, you know, teach class. And not just to grad students!) While Professor Eichorn’s lectures tended to meander a bit, he had a genuine enthusiasm for the subject that students, myself included, could sense and respond to. I remember one particular class when, in one of his usual, off-topic asides, he said, “We know the universe is not infinite. If it were, then every point in the sky above us would always be as bright as a star.”

For me, this was one of those mind-blowing moments when one is exposed to the wisdom of the ages. In this case, it was that of another German astronomer, Johannes Kepler, who in 1610 realized that if the universe really were infinitely large, and infinitely old, then every line-of-sight direction one looks at in the sky should eventually hit a star. Thus, the entire sky should be as bright as (and, worse still, as hot as) the surface of a star. Nevermind the fact that most of these stars would be very, very far away. Their light would still have an infinite amount of time to reach us, and there would be an infinite number of them shining down on us. 

We should all be broiling alive right about now.

Continue reading “Just How Freakin Big is the (Whole) Freakin Universe, for Freak’s Sake?”

Classic Sci-Fi Book Cover: “The Martian Chronicles” – Michael Whelan

When I was a public school kid back in the 1980s, I used to spend hours at the bookstore, mostly looking at science fiction books. It wasn’t just the stories themselves that interested me, but the cover art. Back then, before the internet gave one an endless supply of great sci-fi concept art of any kind, the only way to get one’s imagination going was to head to the bookstore.

So, it’s probably inevitable that I would regard that time as a golden age of sci-fi cover art. And I do. When I look at sci-fi books today, there is usually no cover art to speak of, but just an exercise in graphic design. The title goes in this font 38 point; the author’s name goes in this font at 28 point; etc.; with some blurry, abstract notion of an alien planet or a futuristic city. Back in the pre-digital days, sci-fi cover art consisted mainly of actual paintings, made by actual painters.

One of the best actual painters was (and is) Michael Whelan. His work has that perfect blend of realism, action, and whimsy that I always looked for in a good sci-fi cover. For five decades, he created some of the best covers ever made, and they earned him a place in the Science Fiction Hall of Fame.

One of my favorites is the one above, his cover for the 1990 Bantam/Spectra edition of Ray Bradbury’s The Martian Chronicles. If you haven’t read it (and you should), it’s an allegory about the loss of ancient wisdom, the horrors of capitalism, and even the conquest of the American West. Haunting the work are the ghosts of the Martians themselves, who once-great civilization is helpless in the face of the invading Earth-men, with their guns and disease and endless greed. I love this cover because it gives you a sense of that lost majesty, but it also makes you curious about the story.

In other words, it kindles the imagination.

Nerds in the News: Calcea Johnson and Ne’Kiya Jackson

The latest entry in my continuing series celebrating Nerds in the News (STEM nerds, mostly, as opposed to book nerds, of which I am one) goes to these two young, awesome math nerds. Back in 2022, using nothing but trigonometry (which, as it happens, was the only class I failed in high school), they came up with an entire new proof of the Pythagorean Theorem. Even more incredible, these two mathematicians were both teenagers at the time. And they still are!

Now, they have updated their original proof with five new variations.

I am, of course, terrible at math, but I am endlessly fascinated by it. One of my favorite non-fiction books of all time is Simon Singh’s excellent Fermat’s Enigma, which recounts master-mathematician Andrew Wiles’ quest to solve Fermat’s Last Theorem, which eluded math nerds for hundreds of years. (Wiles solved it in 1993.) Coincidentally, that problem also directly concerned the Pythagorean Theorem, and Singh recounts the story like a centuries-old mystery. One interesting point about the tale is that many advances in the hunt for the solution were made by amateur mathematicians, which is exactly what Ms. Johnson and Ms. Jackson are. (This is due to their youth; I have a feeling they will go on to have great careers after…you know, they graduate college).

Congratulations, Ms. Calcea Johnson and Ms. Ne’Kiya Jackson!

Shameless Plug: Free Sample of “Twice the Trouble” Audio Book now on Youtube

Anyone who is all interested in mystery fiction might avail themselves of this long (three chapters!) sample of the audiobook version of Twice the Trouble. It’s free on Youtube from Google Play. Check it out…!