R.I.P. Tom Skerritt

Tom Skerritt in “Alien”

Almost any sci-fi film nerd will already know the story about why the death of Captain Dallas in Ridley Scott’s landmark 1979 film, Alien, is not shown on-screen. Rather, the alien xenomorph rears up before him, and then the camera cuts away to a shot of Ripley, listening in on a radio to her captain’s apparent “death.”

In the original script, however, Ripley finds Dallas still alive near the end of the film. He’s bound in some kind of partial cocoon as a new alien specimen gestates in his body. As an act of mercy, she kills him with her flame-thrower, then makes her final escape. The scene was actually shot and is, I believe, included on some special editions of the film. But it was cut from the original release, presumably for reasons of pacing. But I believe Scott might also have chosen to leave it out for another, more subtle reason—people didn’t want to see Tom Skerritt die. Not on-screen, anyway. They just liked him too much.

How could they not? He was an actor who exuded an unusual mixture of masculinity and vulnerability, strength and warmth. Handsome but not overly so, he usually played soft-spoken, stalwart, working-class characters, of which Dallas is perhaps the best example. In David Cronenburg’s The Dead Zone, he played a noble, small-town sheriff who is desperate to stop a serial killer. And in Tony Scott’s Top Gun, he played Tom Cruise’s wise, gruff mentor and surrogate father-figure.

Fame came late to him. He was forty-five when he played Dallas in Alien. But once it came, it never let up. He remained one of the most successful character actors in Hollywood. His roles were frequent but not terribly diverse. Very seldom did he get a chance to play the leading man. (CBS’s show Picket Fences was an exception, a role for which he received an Emmy.) And even more rarely did he play a villain. (The self-serving, opportunistic Nasa bureaucrat in Contact was about as close as he ever got.)

But in every part played, and in every movie in which he appeared, he was one of the highlights. A stand-out.

Godspeed, Mr. Skerritt!

Ten Things I Love About “Alien”

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Next year will mark the 45th anniversary of Ridley Scott’s landmark sci-fi horror movie, Alien. I saw the movie when I kid way back in 1979. Here are ten things I (still) love about it:

  1. The Opening

For a movie that has the second-most disturbing scene in the history of cinema (the shower scene in Psycho is #1), the film starts with an empty field of quiescent darkness. The single letter I appears in the middle of the screen, and over the next few minutes as the opening credits appear and disappear on the screen, the I is joined by other letters to eventually form the single title: ALIEN. Talk about building tension. And what a great title it is! Both a noun and an adjective, it sums up everything frightening about this film. Namely, the fear of being consumed by the other, (the one outside and the one inside).

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